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Nude With Vase I / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Nude With Vase I - © Greggory Wood

 
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Minimalist / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Minimalist - © Greggory Wood

The Mirror Series I. Repose. / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

The Mirror Series I. Repose. - © Greggory Wood
Photographer: Greggory Wood

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Nude, Untitled / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Nude, Untitled - © Greggory Wood

Shadow Series I.  Nude I, 1/5 / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Shadow Series I. Nude I, 1/5 - © Greggory Wood

Nude With Vase II 1/10 / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Nude With Vase II 1/10 - © Greggory Wood

Nacht und Tag / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Nacht und Tag - © Greggory Wood

Depth of Field: The Unbearable Lightness of Being / Nude  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Depth of Field: The Unbearable Lightness of Being - © Greggory Wood

Untitled / Fotojournalismus  Fotografie von Fotograf Greggory Wood ★4 | STRKNG

Untitled - © Greggory Wood

14.12.2020 04:14 
At the Well / Fotojournalismus
At the Well
Firenze / Stadtlandschaften
Firenze
Strenght / Fotojournalismus
Strenght
Keep on Going  / Fotojournalismus
Keep on Going
Conversation / Fotojournalismus
Conversation
At All Costs Move Toward the Light / Fotojournalismus
At All Costs Move Toward the Light

A soldier's view

My grandfather, Paul Cason, served in the United States Air Corps during the Second World War and was stationed in southern Italy during the Allied occupation. He was not a front-line solder: he was essentially given a welding torch and ordered to build things. But he brought along his camera and captured some of the most beautiful images. Before he died, I acquired his negative library which collected dust in his basement for several decades. I am finally getting around to properly archiving the negatives. While doing so, I have come across some wonderful photographs he took. Besides the number of photographs of the drudgery of the military, he captured images of the daily life of the citizens of Italy that remained in the southern part of the country during the Allied occupation. It has been pure joy to go through these negatives; I have no doubt of his talent and wish that I could have learned more from him while he was alive: not only his time in Europe, but of his photographic technique. I hope you enjoy these photographs as much as I have.
Gregg.



19.09.2019 20:42 
The Lund Series IV.  Dunes I, 1/5 / Landscapes / Sand,Landscapes,Dunes
The Lund Series IV. Dunes I, 1/5
The Shadow Series I.  Nude I, 1/5 / Nude / Nude,Light
The Shadow Series I. Nude I, 1/5
The Lund Series V.  Dune II, 1/5 / Landscapes / Sand,Dunes,Shadow,Light
The Lund Series V. Dune II, 1/5
The Shadow Series I.  Nude II, 1/5 / Nude / Nude,Shadow,Light,Curves
The Shadow Series I. Nude II, 1/5

Dunes, Nudes

In the English language and the art of photography, both nude and dunes are anagrammatic, both a confirmation of motion beyond the subject. Dunes move with the wind, the nude subject moves at will; sun and light dance on ridges and curves, never staying still for too long, but long enough to create with motionless motion.



15.08.2019 03:00 
Angulus Quies / Nude / Nude,BlackandWhite,Studio,Analogue
Angulus Quies
The Lund Series I 4/5 / Landscapes / Landscapes,Utah
The Lund Series I 4/5
Depth of Field: The Unbearable Lightness of Being / Nude / abstract,nude,blackandwhite,studio
Depth of Field: The Unbearable Lightness of Being
Homage to Gormley: London / Stadtlandschaften / Cityscapes,blackandwhite,analogue
Homage to Gormley: London
The Arc of Time / Nude / nude,blackandwhite,analogue,studio
The Arc of Time
New York, 2002 / Stadtlandschaften / Cityscapes,blackandwhite,analogue
New York, 2002
Et Exemplar Movet / Abstrakt / nude,abstraction,analogue,blackandwhite
Et Exemplar Movet
St. Peter's Church, Cambridge / Stadtlandschaften / church,cityscapes,blackandwhite,analogue
St. Peter's Church, Cambridge
The Mirror Series IV (II) 1/3 / Nude / nude,abstraction,blackandwhite,analogue
The Mirror Series IV (II) 1/3

Angles and curves: form for the sake of form.

As I continue in this craft --this art-- of photography, I find myself lured to form and composition.
Skin and sand; concrete and clouds; light and texture; angles and curves; movement, momentum and the practice of patience and learning to sit still and see what is in front of oneself; how to let the camera become part of oneself; to see through the lens its limitations and capaciousness. I used to think that the human form was separate and distinct from all else, but I now think that it is simply what it is: a world as vast as the world in which it lives.



Greggory Wood


Kontakt


I am an autodidact black and white photographer using both 6x6 and 35mm as media. I'm particularly interested in abstract, abstract nude and landscape photography and how these genres equally intersect and diverge.

I am from the United States and have travelled extensively to Europe and enjoy the opportunities while there to find subjects that pique my curiosity --ones often missed by those too busy to look.