Legs / Portrait  photography by Photographer Clint | STRKNG

Legs - © Clint

 
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The Sleeping / Fine Art  photography by Photographer Clint | STRKNG

The Sleeping - © Clint

 
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The Piano Lesson:  A Series / Nude  photography by Photographer Clint | STRKNG

The Piano Lesson: A Series - © Clint

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Feathered / Nude  photography by Photographer Clint | STRKNG

Feathered - © Clint

The Piano Lesson:  A Series / Nude  photography by Photographer Clint | STRKNG

The Piano Lesson: A Series - © Clint

In The Elemental / Nude  photography by Photographer Clint | STRKNG

In The Elemental - © Clint

Portrait  photography by Photographer Clint | STRKNG

- © Clint

Sunset / Nude  photography by Photographer Clint | STRKNG

Sunset - © Clint

  • Portfolio / Photographer Clint
  • 2024-11-29T00:51:01+01:00
  • 2024-11-29T00:51:01+01:00
  • Photographer Clint
2024-11-29 01:06 

Thanksgiving Dinner

The irrepressible Joey Darke joined me for the holiday week in a rustic setting. An unexpected snow storm descended as she arrived so we spent the next three days simply exploring the space and seeing how many places we could get her upside down!

More and more these days I begin to see model photography as some kind of documentary of the tribe of traveling models. Their migration around the world intersects their photographers and the resulting creative output is shaped by the journeys and experiences of both. Our job as photographers is to create a setting that perhaps reinforces or undermines their mood or role. Each model is a restless creative force, needing only a little suggestion or a particular box to work within. Joey is no exception and I've seen her modeling change over the past few years, our semi-annual meetups always standing out as new and unique experiences.



2024-09-14 20:31 

Masks and Mavens

Sirena landed in the art model community with a splash, dazzling the desert at workshops while vagabonding across the continent. I was excited to meet her, already being familiar with her work, and there was no warm-up time needed at all. For years I've resisted shooting the same concepts repeatedly but it's fascinating to see similarities and differences between models given the same framework. As the outdoor season in Oregon comes to a halting end, it was fun to have a great shoot and explore familiar territory with a new person who brought real joy and verve into the moment.



2024-08-23 21:27 

More Of The Same

There's no question that this is an original idea -- it isn't. But I came to it honestly enough. Some most-likely-farcical post about "how to build a cabin in the woods out of pallet wrap" was entertaining enough and I laughed for a bit until I thought, "wow, that would look super cool to photograph someone inside something like that" and....well...there you have it. I was ready to do it. And then I forgot about it for a couple years. I tried playing with it a couple of times but maybe just didn't put enough effort into it. Anyway, it languished in the cluttered recesses of my imagination for a bit until a particular forest corner seemed interesting. In the past week I've tried the idea three times and could not be happier with the result.

Again, it's simple. I'm using food service plastic wrap instead of pallet wrap but it DID make a decent hammock! And I haven't gone TOO crazy with it....yet....there's more to come. So here are three models inhabiting the same(ish) structure and giggling like crazy when not being serious for the camera.



2024-08-17 04:53 

The Bird Watcher

We were maybe an hour into it when we realized we were not alone.

I guess I should back up...The summer season in the Pacific NW is fleeting, at best. There are those who brave the ice caves or lava fields or deeply dripping forests at other times of the year but I will admit to being a fair weather adventurer. I fell for the not-so-distant high desert a long time ago because it's more interesting in the shoulder seasons and even more survivable in the winter. But for throwing models into waterfalls or just generally being nude in nature, well....summer is pretty awesome. Over the past two or three decades, however, the increasing population of the NW has driven their Subaru Outbacks to weirder and wilder destinations, wearing puffy jackets and hauling over-sized water bottles deeper and deeper into wonderful woods. There is goddamned NOWHERE to get away from them.

I have been hooking around the less-traveled corner into this little nature preserve for a number of years. Once upon a time it was wildly exotic, beyond the boundaries of Our Fair City. These days it's practically a weekend living room for Portlanders and I can anticipate the Viet fisher folks, the sunset wedding photogs, over-excited hikers and, yes, an assortment of bird watchers skulking along the edges of the shallow lakes, keeping their eyes out for......us?

The set itself had taken half a day to build. I was using clear plastic-wrap to encase a stand of slim river-bottom alder and over the course of two days worked with two very different models who brought totally different perspectives to the concept. The more I built, the more I wanted to build. I want to make it a playground. I want to build a strip mall, a maze, a wonderland of plastic wrap that someone can wiggle through or cartwheel or laugh their way around. This is almost as much fun as throwing paint at people. And like all the best shoots the results are wildly at odds with the giggle fest that we created.

I don't know if it was coincidence but there was a bird watcher halfway around the curve of the lake both days. They seemed chill. I assume they had binoculars. They may have had some amazing lens and gotten their own shoot out of our frolic. Honestly, more power to them if they got something interesting! I found the images most interesting as black-and-white, high-contrast. More to come, I'm sure....



2024-08-04 06:24 
Mask 1 / Nude
Mask 1
Mask 2 / Nude
Mask 2
Mask 3 / Nude
Mask 3
Mask 4 / Nude
Mask 4

Revisiting The Scene

It's hard to believe but my wonderful model had to remind me that this entire trip had occurred! In my defense, it was an especially productive few months and she and I had been on an absolute tear across the countryside with absolutely epic shoots tumbling over one another. I had looked at this one and been a bit disappointed in myself and set it aside for almost a year until getting a nudge. Models, don't hesitate to nudge your photographers! I was juggling running a small production company, carrying out a summer season of music festivals and events, cramming shoots into every bit of spare time I could find and, yeah, forgetting to look closely at every little thing in the moment! I'm so glad she did.

This next week we're going to take a couple days to get out and shoot again -- Jordan has relocated to the magnificent Desert SW and we haven't seen each other in a few years so this is going to be new fun all over again! One of the ideas in my mind is to revisit this location and mood but shoot it with six years more experience. Will it work? Will it be different? Can we recapture the wild magic that we found the first time? I tend to shy away from repeating things. When I started I remember seeing a guy in Austria who posted picture after picture, always a different model but always the same LOOK -- the model emerging from a mountain lake in bondage-y harness gear. From the looks of it he planted a camera at the edge of the lake and had "those settings" ready to go. Looked like a multi-light setup, certainly more complicated than a lot of my natural light endeavors. But my takeaway was that I would cut my own wrists if I took the same picture every time. So for the last eight years I have restlessly challenged myself with new ideas and new looks, from early experiments in saturated light to an emphasis on natural light and camping adventures, to more recent thinking about strobe infill and creating sets in unusual locations.

We'll use this hot summer to do some revisiting. Maybe I can find something interesting in it!!