Fotografin weiblich / 56
Back to Life - Pandemic City (Part 2)
When I first started photographing the streets of Rome during the pandemic for my 20/20 vision project, my primary interest was to record people, and the behavioural differences being played out on the streets in these strange times of social distancing and lockdown.
I live very close to the Vatican City, an area full of businesses that depend on tourism for their very survival. It’s a busy area which is usually thronging with crowds. Now there are many shuttered shop fronts, and permanently closed restaurants. Tourism is still predominately domestic at time of writing, but very recently, as restrictions slowly lift, there are suddenly more people on the streets. The atmosphere is charged again with an albeit faint buzz of human activity and renewed energy. I hope these recent photographs convey this.
Kontakt
- #streetphotography
- #streetlife
- #candid
- #street
- #rome
- #documentary
- #city
- #cityscape
- #geometric
- #tableau vivant
- #isolation
- #blackandwhite
- #urban
- #gr
- #gaze
- #streetsofrome
- #colourstreetphotography
- #landscape
- #stilllife
- #cityscapes
- #streetphotographer
- Info Fotografin Deborah Swain
- 2022-12-12T19:04:21+01:00
- 2022-12-12T19:04:21+01:00
I'm Deborah Swain, a British-born creative professional and photographer based in Rome, Italy.
I'm passionate about street, social documentary, and urban landscape photography. Most of my photographs are candid street scenes - Unstaged Tableaux Vivants - but I also occasionally take street portraits.
I would like my street photograph to feel like an immersive experience, as if you are on the street with me and have just happened upon the scene. I am a walker not a stalker, so the photographs are dictated primarily by the situations I happen upon as I move rather than waiting in a specific spot for the action to come to me. I am not looking for the sensational. I believe that an intrinsic dramatic or compositional tension can often be found in images of everyday life.
I began my creative life as a painter, but my photography now is closer to the snapshot photographic aesthetic rather than pictorialism.