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Breanna Marie / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Breanna Marie - © David Aimone
Breanna Marie

 
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Kyotocat / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Kyotocat - © David Aimone
Kyotocat

 
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Aquila, Tub / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Aquila, Tub - © David Aimone

 
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Anya Kay / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Anya Kay - © David Aimone
Anya Kay

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Anya Kay 8x10 Portrait / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Anya Kay 8x10 Portrait - © David Aimone
Anya Kaye

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Celina Sewing Machine / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Celina Sewing Machine - © David Aimone
Celina Bobina

Gwendolyn Jane Color 4x5" Film / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Gwendolyn Jane Color 4x5" Film - © David Aimone
Gwendolyn Jane

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Julia, Figure in Natural Light / Nude  Fotografie von Fotograf David Aimone ★7 | STRKNG

Julia, Figure in Natural Light - © David Aimone

Into the Woods / Fine Art  Fotografie von Fotograf David Aimone ★7 | STRKNG

Into the Woods - © David Aimone
Alaina Wulf

David Aimone

STRKNG Teilnehmer der Portfolio-Bilder

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Featured in Model Society Issue #17: https://www.modelsociety.academy/model-society-magazine-17

I love to work with natural light, to find the beauty in subjects from people to landscapes. I am not a huge fan of strobe or studio lights, but I do use them on occasion. Using old lenses, various types of film, and exploring image production through techniques from digital manipulation through digital negatives to handcrafted prints are all part of my repertoire.

As far as beauty is concerned, it can be found in the subject itself, the lighting which renders the subject, the textures in the images, or the patterns that make up the image. One of my main goals is to portray a subject or a theme in a way that is not common or expected, through those aspects of beauty listed above. When working with people, I try to draw upon their individuality and their inner essence and establish a deeper working relationship. Here my goal is to photograph the subject for it’s inherent traits or beauty, as opposed to layering what society expects to see in the individual though advertising, selling, stereotypes, etc.

The blending of old and new, as well as traditional photography and other artforms, is something I am also very interested in. This began with shooting and developing film, continued with large format and the use of old, sometimes “imperfect” lenses (by modern standards). I am attracted to soft focus images and pictorialism. Pinhole and zoneplate cameras continued taking me in this direction, and now using alternative methods of printing on handcoated paper is another recent way for me to create images that are handmade, unique and expressive.

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